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Creative Perspective for Artists and Illustrators (Dover Art Instruction), by Ernest W. Watson
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In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively.
In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective.
Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.
- Sales Rank: #306987 in eBooks
- Published on: 2012-07-31
- Released on: 2012-07-31
- Format: Kindle eBook
From the Back Cover
In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively.
In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective.
Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.
Dover (1992) republication of How to Use Creative Perspective, originally published by Reinhold Publishing Corporation, New York, 1955.
Most helpful customer reviews
45 of 46 people found the following review helpful.
Great reference for classical perspective
By Jeff Beal
A more technical approach to perspective than other books on perspective that I have read. Waston uses analysis of illustrators to demonstrate the points of perspective. I found this most entertaining and interesting.
I try to read this periodically to re-enforce and re-learn the principles of perspective.
15 of 15 people found the following review helpful.
Learning how to break the rules...
By Jeremy Johnson
I had read this book before purchasing it. I bought it to re-read and absorb the points made in the book. It will definitely get you thinking about how to "modify" the perspective in your picture to get the view right.
6 of 6 people found the following review helpful.
For a creative Artist
By Anmar A. Al Mallak
This book shows how perspective is being used for creative purposes not too simplified and not too technical either. It's rare to find an Artist who does it naturally but even when I was one of those this book made me aware of it!
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